Hurt/The Man Comes Around (2 Cor. 12:8-9)
The story ends with Cash singing with weakness and humility. It ends with God’s grace being perfected within him. It ends with him having solidarity with Jesus.
The story ends with Cash singing with weakness and humility. It ends with God’s grace being perfected within him. It ends with him having solidarity with Jesus.
The gospel message in “Delia’s Gone” is that the sin is its own punishment. The man doesn’t need to wait on the civil authorities or God himself to mete out retribution, the punishment flows from the act itself.
It is only those who have neither fired a shot nor heard the shrieks and groans of the wounded who cry aloud for blood, more vengeance, more desolation. War is hell.
Our love of God must be primary. Everything in our lives, including our love of country, but be subservient to our love of God and must be properly ordered in light of the teachings of Jesus. Our citizenship of our country can never take priority over our citizenship in heaven.
“Sunday Morning Coming Down” is our reality into which the good news of Jesus Christ is spoken. The story of the Gospel begins with the recognition that we are enslaved to the elemental spirits of this world. (Gal. 4:1-9).
What Jesus requires of us, is to see the dignity of everyone, not simply as the cog in the means of production, and to walk in solidarity with them. The problems that face working men and women today of which Cash sings are still with us today.
We are called to be neighbors to those in need in a personal, concrete, and intimate way. Our prayer should be that Christ will open our eyes to see those opportunities to be a neighbor like the traveler in the song.
God is always found on the side of the oppressed, not because they are inherently better than the oppressor, but rather simply because they are oppressed. The challenge for us is to see the world as God sees the world.
Cash plays the role of the prophet. He sings about the dehumanization, brutality, and ultimate ineffectiveness of San Quentin Prison. His hatred for the institution pervades the entire song. Cash knows that he is singing for those who have no voice for the injustices that they face.
The song uses the physical presence of Greystone Chapel as a metaphor for the vibrant spirituality that can be found within prison. It is a song about how a person’s mind who is aligned with Jesus can transcend his physical circumstances. In this way, the song echoes Paul’s observation that “where the Spirit of the Lord is, there is freedom.” 2 Cor. 3:17.